Instead of the Thorn

From the brilliant author of detective novels and regency romances, here we have an early manifestation of her literary genius and versatility. G. Heyer masters the art of telling a story and she is telling hers with shocking brutal honesty. In this uncommon social novel one witness the clash of two eras, the fading Victorian one with its prim facade built on lies and deceits and the dawning postwar one with its disruptive nature of rebellions and challenges, as exemplified by its two heroes, Elizabeth Arden and Stephen Ramsay. When a whimsical in work but firm in his love author marries the little maiden who knows nothing about life and hides from it, discontentment and misery ensues. Elizabeth quickly fails to meet all requirements of married life while recoils from physical contact with her husband; her bucolic life in Queen’s Halt becomes unbearable from where she ultimately escapes to find herself. She has an interesting esoteric quest in London, Torquay and Wood End until she acquires the wisdom and the strength to deal honestly with life and Stephen. (Midori) About the author: Georgette Heyer (16 August 1902 – 4 July 1974) was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The couple spent several years living in Tanganyika Territory and Macedonia before returning to England in 1929. After her novel These Old Shades became popular despite its release during the General Strike, Heyer determined that publicity was not necessary for good sales. For the rest of her life she refused to grant interviews, telling a friend: “”My private life concerns no one but myself and my family.”” Heyer essentially established the historical romance genre and its subgenre Regency romance. Her Regencies were inspired by Jane Austen. To ensure accuracy, Heyer collected reference works and kept detailed notes on all aspects of Regency life. Whilst some critics thought the novels were too detailed, others considered the level of detail to be Heyer’s greatest asset. Her meticulous nature was also evident in her historical novels; Heyer even recreated William the Conqueror’s crossing into England for her novel The Conqueror. Beginning in 1932 Heyer released one romance novel and one thriller each year. (See List of works by Georgette Heyer.) Her husband often provided basic outlines for the plots of her thrillers, leaving Heyer to develop character relationships and dialogue so as to bring the story to life. Although many critics describe Heyer’s detective novels as unoriginal, others such as Nancy Wingate praise them “”for their wit and comedy as well as for their well-woven plots””. Her success was sometimes clouded by problems with tax inspectors and alleged plagiarists. Heyer chose not to file lawsuits against the suspected literary thieves but tried multiple ways of minimizing her tax liability. Forced to put aside the works she called her “”magnum opus”” (a trilogy covering the House of Lancaster) to write more commercially successful works, Heyer eventually created a limited liability company to administer the rights to her novels. She was accused several times of providing an overly large salary for herself, and in 1966 she sold the company and the rights to seventeen of her novels to Booker-McConnell. Heyer continued writing until her death in July 1974. At that time 48 of her novels were still in print; her last book, My Lord John, was published posthumously. (wikipedia.org) —- ISBN: 9798888305836